monster with a moral code
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abigail-rising:

Hannibal + symmetry

Symmetry refers to visual harmony of balance and proportion, and it represents order and stability. Historically, it was associated with the workings of the divine: Aristotle ascribed mathematical symmetry to the heavenly bodies as manifestations of the natural order and perfection of the universe.

Symmetry is visually appealing, yet also suggests a sterile rigidity and monotony. In cinematography, the coherence to absolute lines detracts from the humanity of the characters it portrays, positioning them as automatons in a dance rather than freely acting individuals. The viewer is positioned in a god’s eye view of the world, making us complicit in the dehumanisation of the subjects.

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